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Stories in Critique that you’ll love, handpicked by our team.
The Road by Cormac McCarthy:
"If he is not the word of God, God never spoke." It's a line spoken by The Man, unnamed, early on in the 2007 Pulitzer Prize winning novel, "The Road" by Cormac McCarthy. It's this line, elegiac and moving, infused with despair and hope, that informs you, you're not reading something you'll easily forget.
By Adam Diehl4 days ago in Critique
Diaries to Nietzsche
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH2 months ago in Critique
Who Is Clavicular? The Looksmaxxing Streamer Who Ran Over A Stalker In His Cybertruck
What is so damaging to this current culture is the ant-intellectualism which pervades nearly every element of it. Clavicular, real name, Braden Peters equivocates physical form with getting women, making money, and overall being a strong “man.”
By Skyler Saunders3 months ago in Critique
Scrooge has entered the building!
From the swirling depths of inner turmoil, I grace you with a moment of much-needed sarcasm... I was gifted/tempted with the task of sharing unbiased opinions for a torrent of uplifting pieces of written art that have found their way to my unapproving eyes.
By Lamar Wiggins4 months ago in Critique
Taking a Different Approach on Birthdays
Hello November! It's my birthday month, meaning that I'm a Scorpio, if you're into that sort of thing. One of the best traits about my zodiac sign is that I'm competitive and want to succeed in life. I love celebrating my birthday, which happens to be on November 13. In case you're curious how old I'll be. I'll be turning 38 years old. If you look at my profile picture on here, you must be thinking that I don't look my age and you're right. I've been mistaken for a high school student and a college student. I'm fine with that and looking youthful works to my advantage. You've heard the saying, "Black don't crack." It's another way of saying that black people don't show any signs of aging. As I near 40, I've since outgrown birthday parties. The last time I had a birthday party was at home after school and 14. Nearly 25 years later, someone throwing me a party, while the gesture is admirable and with good intent, I don't feel the need to dress up and attend my own party thrown by someone else. I turned 18 in 2005 and my friend at the time took me out to miniature golf, then had my birthday dinner at Olive Garden. Besides, who doesn't love their endless breadsticks? The staff surprised me with a chocolate cake. After that, my friend and I went to Best Buy, and I chose my first country CD. That album was Toby Keith's Honkytonk University. I couldn't wait to go home and listen to it. I wore that CD out on a daily basis, because no songs from that album were skippable. It was so good and had since fallen in love with country music. Unfortunately, I ended my friendship with my long-time friend and classmate in 2021 after nearly two decades, due to his anti-gay views. I came out to him in the summer of 2012, several months after I came out of the closet. We're no longer friends, but that was one of the best birthday memories I've ever had.
By Mark Wesley Pritchard 5 months ago in Critique
Latest Stories
Most recently published stories in Critique.
Cracks in the Kingdom
In the Children’s Fable the Tortoise and the Hare, the Hare is known for his jack rabbit starts and stops, his frantic approach, his unsustainable energy. We learn from the tortoise that slow and steady wins the race. Similarly, the global political and economic theater has been dominated by the frantic energy of the Hare. We have been told that speed is synonymous with success, that "jackrabbit starts" in innovation and market deregulation are the only way to outrun poverty and stagnation. But as the ecological and social architecture of our system is cracking, we are witnessing a "Great Unmasking." The facade of the infinite sprint is collapsing, revealing a system with unsustainable DNA. The DNA of capitalism is programmed for its own exhaustion. We have ignored the ancient wisdom of the children’s fable, forgetting that the Hare’s velocity was never a sign of strength, but a symptom of a volatile internal loop that prioritizes the burst over the journey.
By Susan Eileen about 18 hours ago in Critique
Forbidden Fruits Review: A Hilarious Toxic Cult of Feminist Witches
Forbidden Fruits, directed by Meredith Alloway, is a vibrant and audacious debut that blends horror and comedy within the context of a modern-day mall culture. The film, which draws inspiration from Lily Houghton’s play Of the woman came the beginning of sin, and through her we all die, introduces audiences to a coven of young women who navigate the complexities of friendship and rivalry while engaging in witchcraft rituals.
By Ninfa Galeanoa day ago in Critique
Falling Between Every System
Modern social systems are often described as safety nets. Employment law protects workers. Healthcare programs provide treatment. Disability benefits replace lost income. Unemployment insurance bridges job loss. Each system is presented as a safeguard designed to catch people when life disrupts their ability to function normally. Yet for many people living with disability, chronic illness, or injury, the lived experience is the opposite. Rather than forming a net, these systems stack vertically, each with its own eligibility rules, thresholds, and assumptions. Instead of catching the fall, they create gaps. People do not slip through because they failed to try. They fall because the systems were never designed to align.
By Peter Thwing - Host of the FST Podcasta day ago in Critique
The Road by Cormac McCarthy: . Top Story - March 2026.
"If he is not the word of God, God never spoke." It's a line spoken by The Man, unnamed, early on in the 2007 Pulitzer Prize winning novel, "The Road" by Cormac McCarthy. It's this line, elegiac and moving, infused with despair and hope, that informs you, you're not reading something you'll easily forget.
By Adam Diehl4 days ago in Critique
Pretty Lethal Review: An Unexpected Blend of Ballet and Extreme Violence
Pretty Lethal is a horror movie created by Amazon Prime Video, directed by Vicky Jewson and written by Kate Freund. The film follows a group of five American ballerinas: Bones (Maddie Ziegler), Princess (Lana Condor), Grace (Avantika), Chloe (Millicent Simmonds), and Zoe (Iris Apatow), who are on their way to a prestigious dance competition in Budapest. Their journey takes a dark turn when their bus breaks down in a remote area of Hungary, forcing them to seek refuge in a seemingly abandoned inn run by Devora Kasimer, performed by Uma Thurman, a former ballet star with a mysterious past.
By Ninfa Galeano4 days ago in Critique
Output vs Oversaturation
The modern anxiety around oversaturation is not unfounded. People are surrounded by more words, videos, opinions, and explanations than they can meaningfully absorb. In that environment, producing more content can feel irresponsible or self-defeating, as though adding anything further only contributes to noise. This concern often leads thoughtful people to hesitate, holding back ideas out of fear that volume itself will devalue what they have to say. The assumption is that meaning is diluted by abundance, and that restraint is the only way to preserve significance.
By Peter Thwing - Host of the FST Podcast4 days ago in Critique
Masculinity in Flux: Louie Theroux's Deep Dive Into Men's Rights Influencers and Modern Gender Dynamics
I’ve always admired Louie Theroux’s work, so when I heard he was releasing a documentary on Netflix, I was genuinely excited. Louie has a knack for diving into topics that are both relevant and thought-provoking, and this time he’s tackling the rise of men’s rights influencers—a subject that’s become increasingly prominent as society grapples with shifting attitudes toward gender and masculinity. The documentary offers a rare glimpse into a world that I’ve only encountered in passing, and it feels timely given the growing concern around these figures. As I watched, I found myself reflecting on how these influencers gain traction and how their reach is shaping conversations about what it means to be a man today. Louie’s approach made me both curious and uneasy, especially as I considered the potential impact on younger audiences and the ripple effects through society.
By Sarah Xenos5 days ago in Critique
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The creative faces behind your favorite stories.
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Mark Wesley Pritchard
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